Tuesday, October 2, 2012

On the rocks? No, just chilled, thanks.

I've been so remiss in my posting duties I'm certain that by now any dedicated readership I may once have had has long since evaporated (am I a nerd for LOVING that I was able to get "have had has" logically into a sentence? Yes. Yes I am). End apology.

So... quick catch up. Everything's different now.  I'm officially a Bostonian and no longer a Cantabridgian.  I'm unemployed and working full time at getting another job when I'm not using my bed as a workbench and making art.  I have awesome roommates.  I'm in love with a lawyer. I've sold three paintings in the past couple of months.  And I'm going to church.

So here's a photo of "Judgement Day," the most recent sale and the piece of which I'm currently most proud.  Check out the link to the right where prints are available if you'd like a copy for yourself ;)


Tuesday, May 8, 2012

New York Bound

I'll be showing some work in New York this weekend at the West Chelsea Art Building's Open Studios event. 

I'll have pieces in studio 915 and/or 411 through the Suzanne Schultz Gallery.  There's a reception this Thursday from 5 to 7.   I haven't been to New York in ages so I'm looking forward to this. 

There's more info on the event here: http://www.westchelseaartists.com/index.html

Tuesday, April 17, 2012

There's more than one way to skin a model

The always amazing Jen Catalano will be stopping by the studio this evening and I'm wicked excited. We're going to coat her in liquid latex so I can photogr aph her tearing herself apart. In the painting I'm planning, the universe will be blasting forth in a single violent moment of creation.

Pics to come if she'll allow it.  Which I doubt she won't.

Saturday, March 17, 2012

Put on a happy face

For St Drunky Day, Katie and I scrubbed the shower and advanced the progress of the current work with beer and paint.

This is Katie now that she's finally seen Harold and Maud.


Friday, March 16, 2012

Styrofoam Joy

I've found the perfect yellow.
Prop building continues with the search for the perfect ribbon.


Katie

I have to write about Katie.

You don't see these things coming, but they happen.

I'm actively not posting photos of the current series as it develops, so I cannot offer the possibly necessary corroborating evidence, but when she's around I paint more. And better. And think more clearly.

I made the mistake, possibly, of telling her I loved her after I'd obviously been drinking.  She's told me since then she loves me too, and it's apparently a sisterly thing.

That's okay I suppose.

The work is better for her frequent visits and that's good enough for me.

Monday, March 5, 2012

Mobile blogging

This is sort of a test. This is a photo from the studio of a current work in progress for a new series. I'm posting through the blogger app on my new smartphone and want to see how well it works. 


Friday, February 17, 2012

29 Newbury Interview

I just got a link to the video filmed by Andrew Swaine for BNN's It's About the Arts in which I and a couple other folks were interviewed at the reception.

I tried to embed the video but it doesn't seem to work, so here's the link!
(don't worry, it's short)
http://vimeo.com/36977184

Sunday, February 12, 2012

Weekend Update

I made some good progress yesterday building up the layers I want for this piece.  I started using some metallic silver in a few places and am in love with the way it catches the light.

We'll see how this develops.

For now though, I'm making preparations for the reception later this afternoon for my show at 29 Newbury.

I'm definitely looking forward to seeing everyone there.  If you want to come, you can find the details of the event HERE.



Saturday, February 11, 2012

A Weekend (Mostly) to Myself

For all intents and purposes, I've got the weekend to myself, which is a rare thing.  Normally my son comes to visit every week, but he's visiting an uncle today, and tomorrow I have an event to attend to which I can't really bring him so we won't get together again until next week.

I owe my employer 3 hours of work today. Tomorrow, I owe 2 hours of work and there's the closing reception for my show at 29 Newbury.  The rest of the weekend however is entirely mine.

This is a painting I started about 7 years ago I think.  I was experimenting with projectors at the time and made this based on a photograph of a one of my very first models, who at the time I took the photo (maybe 13 years ago) was a long-time lover.  The photo I took at that time was originally used as inspiration for a painting I did for a class in which we were exploring impasto techniques. I gave that painting to her and still miss it.  It was one of my best paintings at the time.   In the photo, the shes laying on a large chair, so you'd have to rotate the canvas 90 degrees counter-clockwise to see the actual pose.  But because in the original painting, I'd decided instead to orient her the way you see her above, I decided to do the same thing again in this piece.  Perhaps in certain ways, I wanted the new painting to replace the one I'd given her.

For this painting, however, years later, I wanted to do something more "pop." I spent a few days working on this one, and then just got stuck.  Something wasn't right and I was never quite been able to put my finger on it.  I kept painting different things in the thought bubble and then painting them over, assuming the problem was there. For years.

What I recently came to realize though was that the real problem was the approach itself.  I was looking at this cartoony, pop image as some sort of ideal.  I was trying to make this piece one of a number of extreme deviations from my otherwise compulsive need to create deep, rich textures.  And this was wrong.

I have this great friend named Katie.  She's absolutely beautiful and utterly inspiring.  Lately, I've been having trouble painting and the other day, she came over to visit and I was painting again.

The piece needed more texture.  And color.  And it needed to be messier.  And darker. I also took Katie's advice to heart and reoriented the painting so this poor girl can finally lay down.  I have to fix the hair because of this.  No big deal.

It's not done.  But I've made significant progress.  What I think it boiled down to was that I had to start looking at the traced image as a blueprint- an underpainting- and not the ultimate realization of the idea.

So with my weekend to myself, I'm going to see if I can get some more work done on this without Katie around.  I'm optimistic.

Thursday, February 2, 2012

The Last Tree

"The Last Tree" Acrylic on Canvases: 2010
Back in the summer of 2010, I went up to visit my dad in Maine.  I had painted a picture recently and wanted to give him one.  We hadn't seen each other in a few years and I wanted him to get a sense of my work.

After we arrived, I took a few photos of the painting so I'd have a record of it, and then spent a great week with my dad, my son, and my then-girlfriend.

And then somewhere along the line, I lost the pictures I took of that trip. 

It had been so long since I'd seen the painting I couldn't even remember exactly what it looked like.  And then the other night, I found the SD card with the photos on it. 

Here are a couple of closeups for you:


A huge fan of Dr. Seuss as a kid, I think this piece probably had something to do with The Lorax.  My dad, something of a hermit and definitely a lover of nature, seemed the logical recipient for this one.  I called him yesterday morning to ask him if he'd check the back of the canvas for me, as I always sign, date and put the piece's title there.  Since I couldn't remember what I'd called it, I figured I'd ask him.  It turned out I'd never named this one, so I'm now calling it "The Last Tree."

Thursday, January 19, 2012

Show @ 29 Newbury: Reception Feb 12th

I am very happy to announce that I have 13 paintings currently on display at a great gallery/restaurant located at 29 Newbury Street, Boston, MA, 02116, called (creatively) 29 Newbury. 

 The pieces I've included in this show span ten years of my endeavors, with the centerpiece of the show, "Synaptic Discharge," having been completed in 2001.  The rest of what's now on display is work I created from 2009 to 2011.

The show will be up through the middle of next month, with a closing reception on Sunday, February 12th from 3 to 5pm, so if you'd like to meet up, see my work in person and interrogate me about what the hell I was thinking, you should mark it on your calendar.  I don't know yet if the very lovely and well-renowned bar will be operating during the reception, but I'll do my best to make that happen.

Wednesday, January 11, 2012

"It's About the Arts" interview with Glenn Williams

This past Monday, I had the pleasure of being interviewed on "It's About the Arts" by the charming Mr. Glenn Williams.  The show airs on BNN Monday nights at 6pm on Boston Cable Channel 9.

My agent Suzanne, of Canvas Fine Arts, set this up for me and is in the studio during this segment.  You can see me looking up at her a few times to see if I'm doing alright.  Suzanne is also the co-host of the show, so she's seen a lot of these and said I did fine.

It should be noted that unfortunately, they've listed my name on the banner that pops up a few times as "James."  Don't worry.  I didn't change my name.  It's still me.

I had a great time.

Naturally, I was a bit nervous.  And I warned Glenn that I can be a bit chatty.  But it was fun.  What was supposed to be a 10 minute interview turned into closer to 14, so he had to sort of rush me at the end, but I think it came out ok.

Here's the video of the portion of this week's show with my interview:


Dishes invading every corner

I sometimes make it sound like I'm being much more productive than I really am.  Lately, I've been sort of stuck.  I keep starting new paintings and being unable to finish them.  I paint fairly often (although not every night, like I often suggest), but lately nothing's getting actually DONE.

I've been thinking about the reasons for this.

First, I blame the dishes.  It's a weird phenomenon, I suppose, and possibly slightly neurotic (or whatever the proper diagnostic term is- I'm no psych expert), but getting the dishes washed seems to dominate nearly every aspect of my life.

Here's how it goes: 

We start with a clean, shiny sink clear of dishes of any kind, and shelves of neatly stacked plates, bowls and glasses filling the cabinets. 

Then, I cook something.  Nothing too elaborate, because I try not to generate too many dishes, but something simple, like boiling up some quinoa or pasta and maybe roasting some veggies to go with it.  Maybe steak and mashed potatoes with broccoli. Maybe just a sandwich.

By the time I'm done cooking, the sink is maybe a third of the way full.  Then I eat.  After adding THOSE dishes to the mix, the sink's about half full.

A few hours go by and then I get hungry again.  I cook and eat again and now the sink's full. It's at exactly this point I should really wash the dishes.

What actually happens is this:

I fret over it.  I avoid it.  I find other things to do instead, like watch TV, compulsively alternate checking Facebook, my email, and the stats for this blog, play Mario Kart or go visit a friend.  Later that night, it's time for bed, so I happily put it off until the morning, having successfully procrastinated.

In the morning, it's time for breakfast, but I skip it because all my dishes are in the sink and heat up some coffee instead.  For the same reason, I then subsist on cigarettes, coffee, and the occasional slice of cheese for sometimes a day or two.

During this entire time, I can't seem to do anything.  First of all, I'm starving.  Secondly, I spend so much time worrying about the dishes that I can't concentrate on getting anything else done. 

At some point, the guilt and the smell are too much for me so I tackle the dreaded dishes.

It takes me all of perhaps 20 minutes.  Maybe less.  And I enjoy doing it as soon as the sponge is in my hand.  I actually LIKE doing the dishes.  And the sense of accomplishment when I'm done is significant.

By now, I'm really starving.  In a bad way.  So I cook something.  And now I'm right back to square one, avoiding washing dishes like the plague.

I'll be entirely honest here.  This is one thing about myself, like many others, that I really don't understand at all.

It's sort of like when I was really little, I remember resisting bath time like my life absolutely depended on it.  Later, I'd have to be dragged out of the tub because I was having such a grand old fun time.

Every night.

Yeah... I don't make any sense to me either.

Other than the dishes, there seems to be another issue affecting my ability to paint.  Namely: people.

I like to think of myself as a recluse.  My whole life has been spent trying to get away from people and get some privacy. 

And apparently, I finally won.

Now I live alone in a single room, work from home at a job that requires I be there 7 days a week, do my artwork at home, and basically only see people during daylight hours if I step out for cigarettes or groceries, or when I hang out with my son on weekends.

So I find myself craving human contact.  I don't socialize with any one person every day except when I buy my smokes from Tommy, the Chinese guy who owns the convenience store across the street, whose terrible English is possibly overshadowed only by his unabashed racism. 

Luckily, he doesn't seem to hate white people and he seems to like me, so it's slightly less awkward than I suppose it could be.

I don't plan a lot of social engagements ahead of time, because I try to keep my evenings open if the mood to paint strikes, but then I often end up sitting around messing with the internet instead of painting, wishing I was out doing something with a real live person instead.

So I've been trying to be more social.  I played an epic game of Settlers of Catan the other night with a buddy who also had the Seafarer's expansion and that was awesome.  And I went to a party last week I heard about on Craigslist of all places and where I knew absolutely no one except the friend I brought as murder insurance.  And that was really fun too. 

Good people. No murder.  Lots of art and fantastic food.

But at this point, I wonder if even were I out every night would I feel fully socialized? 
I'm not sure.  Maybe I just need to meet the right woman.

At any rate, I'm fairly happy overall with my life right now.  What painting IS getting done is mostly good.  My job gives me equal amounts of time to myself and things to complain about, both of which are important to me.  I live someplace I love, have great friends and a son I love more than I'd ever have thought possible.

Now I just need to figure out the whole painting thing again. Maybe I should just move someplace with a dishwasher.

Speaking of which, I've got a sink full of dishes right now, so I'd better go find something else to do instead as quickly as possible.

While I'm doing that, you should check out my FineArtAmerica page, where you can purchase the newly-available prints of "Small is Home, and Far Away" at 16x the painting's original size, starting at only $22!


Tuesday, January 10, 2012

Stepping Stones

I've been really busy lately.  Christmas with family, New Year's Eve with friends.  That was good.  Then last week I went to an art party in Somerville and met some really cool people, which was great. 

Last night, I was interviewed on BNN and hopefully will have a copy of the video soon.  I'm still scrambling to get everything ready for my show at 29 Newbury, which has been rescheduled to run mid-January to mid-February. 

I'm working right now on a larger piece (30" x 40") painting over an old canvas from probably around 2002 I never finished.  It's progressing steadily, but very slowly- which is strange for me.  I generally work more impulsively, but I've been enjoying the planning of narratives lately.

Also, I'm pretty sure I have the flu.  Or something.  So that's complicated matters.  If this post seems disjointed or otherwise jump-aroundy, blame the Sudafed.

Saturday, December 24, 2011

Christmas as we know it: An American Phenomenon

A lot of people seem to be really upset about Christmas.  I don't really get it.  Christmas is the All Purpose Holiday.  On Christmas, you decorate your house, see your family, eat too much, exchange gifts, and maybe even wear that special Christmas sweater just for the occasion.  It's like Thanksgiving, Halloween, and your birthday all rolled into one. Which is AWESOME.

Some Christians get upset that we pay less attention to Jesus than we do to Santa Claus on Christmas.  Pagans remind us that Christmas is celebrated when it is because of the Winter Solstice and that many of the traditions we associate with Christmas, like Christmas Trees and the exchange of presents, are throwbacks to the Pagan Solstice celebrations of old.  Then there's that tired "War on Christmas" gimmick that's been tossed around for a few years now by the Evangelical extremists. 

I think folks should just get over it.  Christmas is obviously winning.

And besides, all the history associated with Christmas is essentially irrelevant anyway.  What's celebrated in America today that we all call Christmas is as distinctly American a holiday as the 4th of July.  And it's fucking awesome.  You don't have to be a Christian to celebrate Christmas.  I'm not. 

Christmas is a time for families to gather just as the days begin slowly to lengthen and to reflect on the year before New Year's Eve erases it from our memories.  It's meant to be a reminder that we're loved and whether that love originates from Jesus, Santa or Grandma is entirely immaterial.

Merry Christmas Everyone!

Monday, December 19, 2011

"Decide and Conquer"

I've just completed the largest painting I've done in many years.  I last mentioned this panel a few entries ago in "Works in Progress, November 2011: Part One."  At that time, my intention was essentially to paint a big pink and black flower.  When I started getting going on it though it turned into something else entirely. I originally spoke about the panel used in the piece way back in April in "White Birch Paralysis." At the beginning, I was totally intimidated by the very idea of painting it at all, so this one's come a long way.

The picture to the left here is a detail of the piece.  The Pink Bunny, Gilded Axe in hand, is faced with a choice between descending into the square hole in the ground and blazing a trail through the brambles ahead.

In this moment he considers each option, fingering the axe, eyes fixed firmly on the golden light beyond the tangled thicket. 

"Decide and Conquer" Jason Burrell 2011
Acrylic on Wood Panel: 24" x 36"
The square hole is no rabbit hole- no place he wishes to go- and yet it beckons to him, being the easier of the two choices.  Naught to do but fall and hope the end comes sudden- unexpected. 

Hacking through the thicket- thin enough to do so only just at the edge of the square hole- promises to be an exhausting, all-encompassing labour.  However, only this way will ultimately lead him to the light.

I've chosen to call this piece "Decide and Conquer." The Pink Bunny can conquer himself by overcoming his weaknesses and persevering or by giving up and throwing himself in the pit. The decision is his and his alone.

Like much of my work lately, this painting is a fairly transparent and possibly over-dramatic exercise in self-portraiture.  I suppose this is only natural with all the changes I've made in my life recently, many of them born of a realization that one needs to earn his dreams if he wants to live them. 

I plan to have "Decide and Conquer" on display at my show next month at 29 Newbury.  I'll post more details about that show as I get them.  For now, I have about a dozen paintings to complete before Christmas so it's off to work I go!

Wednesday, December 7, 2011

"That's When I Grew Up." -Me: 2043

I've been thinking a lot lately about how much my life has changed since I was kid.  This has included a certain amount of reminiscence, as I suppose is natural, but lately I've been turning much of my attention on the subject of change to consideration of the future in a way I'm not certain I've done before.  Sure, I've always had hopes and dreams and so forth- but if I'm perfectly honest about it I have to admit that up until relatively recently I've done very little to substantially create the future me I want to one day be.

So as a part of becoming that man, I've been spending a lot of time painting and drawing and planning as I generally do, but also working actively to get the work actually seen, a duty in which I've been remiss in recent years.  I currently have single works hanging in group shows at UForge Gallery and Thos. Moser Showroom, with receptions on the 10th and 15th, respectively, of this month.  There's also a solo show in the works for next month at 29 Newbury, and hopefully a few more not long after that.

Beyond that, I've been actively submitting to other shows for which my work was rejected, which actually makes me happy.  It feels like progress when I get a rejection notice in a way I hadn't expected.  It means I've actually taken a risk and am thereby closer to the goal of self-sufficiency I've set forth.  I'm applying the lessons I've learned about being unafraid to fail in painting to my life and it's working.  Sometimes it seems paint is the best teacher I've ever had.

I'm 32 years old and have seen great change both in the world and in myself over that time.  If I survive another 32 years, I'm sure I'll see things I can't now even imagine becoming commonplace on this strange and wonderful planet.  I hope that in that time I too change and grow and become the man I've always merely dreamt of being and that as that man, look back on these times and say "That's when I grew up."

Here are the details of my two upcoming receptions in case you'd like to attend.

___________

Minatures Group Show at UForge Gallery

RECEPTION:
Saturday, December 10th, 2011
6:00pm- 8:00pm
Uforge Gallery, 767 Centre Street, Jamaica Plain, MA

On view: December 1st- 23rd, 2011
___________

Holiday Group Show at Thos. Moser Showroom
To benefit Toys For Tots: We suggest each guest kindly bring an unwrapped gift.
RECEPTION:
Thursday, December 15th, 2011
5:00pm-7:00pm
19 Arlington Street, Boston, MA 02116

On view: December 6th- 27th, 2011

Saturday, November 12, 2011

Small is Home, and Far Away

"Small is Home, and Far Away" Jason Burrell 2011
Acrylic on Canvas: 2" x 2"

I finished this painting this morning.  If you follow the blog, you might be thinking, "Jason, you spent all week writing about works in progress and this was not one of them.  WTF?"

Suzanne mentioned the other day this contest being put on by u.forge gallery and said I should enter.  They want miniatures:  pieces measuring no more than 3" on a side.

I have a bunch of pieces I did on old business cards a while back, but that means the long side is about 3.5", so those were ineligible.  Since the deadline to enter is tomorrow, and I only found out about the show on Thursday, I had to work fast.

So this is what I've been doing.  I found these miniature canvases at this new art store in Central Square and decided to go that route rather than build custom wooden panels as had been my original plan.

This piece is supposed to be about the idea of home receding forever to the horizon.  The American Dream never realized.  I also wanted to create the sense of a huge space on what is officially the smallest painting I've ever done.

All in all, I'm very pleased with the piece.  Maybe I'll even win something.  Either way though, I like how it's come out, and I have 4 more of these itty-bitty panels to play with now.

Edit:  As of January, 2012, this piece is now available as a print on my FineArtAmerica page.  Check it out!

Friday, November 11, 2011

Works in Progress, November 2011: Part Five

progress as of last night...
Welcome to this week's final installment of Works in Progress.  In my head you just heard that from a TV announcer.  Thought you should know.

This is the painting I've been working on the most this week.  I may even be getting a little obsessive about it. 

I'm not going to go into a lot of detail about what it means until it's finished, but do want to point out that this piece is the first painting in which I'm combining my poured techniques, cartoon characters and the brushwork I started bringing back into my work in Moonlit Room.  I can't think of any other way to express how good this feels other than to simply finish the piece, so you can expect an update about this one relatively soon.

I want to take this opportunity to give a little shout out (that TV announcer you heard earlier is now a radio DJ, by the way) to Suzanne Schultz over at Canvas Fine Arts.  Suzanne is an artists' representative with whom I signed about a month or so ago.  I don't know if there's really a causal relationship between the two things, but since I've handed over the reins of promotion to her, I've been painting so much I can barely keep up with myself.  It's a very freeing feeling to know that there's someone working on getting my work seen so I can focus on art making.  She's already booked me at two shows and pointed me at a few contests to help build my CV, not to mention given me plenty of concrete, salient advice on how to move toward making an actual living as an artist.

Years ago, when I was last actively promoting the work myself, I often did shows under the name Vox Ominous, dressed as a vampire, complete with white contact lenses and pointy ears or as an evil clown.  I often wore stilts to be 8 feet tall and would make it interesting with a certain amount of drunkeness.  It was exhausting.  And ridiculous, really- the costumes and makeup had nothing to do with the art.  So yeah, it feels good to finally, once and for all, lay the fucking clown to rest.